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FEATURED SCORES
GIRL FROM KRORAN for Yangqin and Chinese Orchestra Conductor Score
$40.00
Digital Download PDF format A3 size, 65 pages
HAKKA OVERTURE FOR CHINESE ORCHESTRA (Complete Set)
$60.00
Digital Download Conductor Score and Complete Set of Parts Duration: ca. 10 minutes YouTube movie for reference: https://www.youtube.com/watch?v=iLFycJdswII
IN A FARAWAY GARDEN for Violin and Piano
$40.00
(Solo Violin Part and Piano Score) Physical Product A work for violin and piano depicting the serene beauty of a distant Oriental garden veiled in mist. Rather than presenting a literal landscape, the composition evokes an imagined world where nature, silence, and memory merge into a dreamlike soundscape. Inspired by the Japanese impressionistic aesthetic associated with Tōru Takemitsu, the music unfolds through fluid textures, delicate harmonic colors, and spacious, suspended gestures that allow sound to resonate naturally. The violin sings in long, lyrical lines, while the piano creates shimmering sonorities that suggest drifting clouds, rippling water, and the subtle movement of wind through ancient trees. Moments of stillness are as significant as moments of motion, inviting the listener to contemplate the beauty of impermanence. Drawing upon both Eastern philosophical sensibilities and contemporary Western compositional techniques, the work becomes a poetic meditation on distance, tranquility, and the timeless dialogue between humanity and the natural world.
IN A FARAWAY GARDEN for Violin and Piano
$35.00
A work for violin and piano depicting the serene beauty of a distant Oriental garden veiled in mist. Rather than presenting a literal landscape, the composition evokes an imagined world where nature, silence, and memory merge into a dreamlike soundscape. Inspired by the Japanese impressionistic aesthetic associated with Tōru Takemitsu, the music unfolds through fluid textures, delicate harmonic colors, and spacious, suspended gestures that allow sound to resonate naturally. The violin sings in long, lyrical lines, while the piano creates shimmering sonorities that suggest drifting clouds, rippling water, and the subtle movement of wind through ancient trees. Moments of stillness are as significant as moments of motion, inviting the listener to contemplate the beauty of impermanence. Drawing upon both Eastern philosophical sensibilities and contemporary Western compositional techniques, the work becomes a poetic meditation on distance, tranquility, and the timeless dialogue between humanity and the natural world.
Jasmine Flower 苿莉花
$5.00
Popular Chinese folksong arranged by Yiu-Kwong Chung. Piano accompaniment. 4 pages. Free Listening Online: https://www.yiukwongchung.com/art-songs.html
MONGOLIAN FANTASY for Trombone and Chinese Orchestra - Piano Reduction
$25.00
Solo Trombone Part and Piano Reduction
Moonlit Night, Where the Wind Whispers for Chinese Instrumental Septet 《望月聽風》七重奏
$20.00
Moonlit Night, Where the Wind Whispers for Chinese Instrumental Septet 《望月聽風》是一首以月夜、清風與東方詩意為核心意象的中國民族器樂作品,最初為民樂七重奏而創作,編制包括笛子、二把二胡、琵琶、揚琴、古箏與大阮。作品於2005年受林谷芳老師「忘樂小集」委託,特別為一場中秋戶外音樂會而創作。作品從一開始便與「月」及「風」建立密切的關係:月光提供了寧靜而遼闊的視覺意象,而風則透過中國民族樂器細緻的音色、線條與呼吸感轉化為可聽見的聲音。 《望月聽風》的創作並非單純描寫中秋月色,而是透過不同民族樂器的音色交織,探索中國傳統音樂中「以景寓情」的美學。笛子的氣息與飄逸旋律、二胡的人聲般歌唱性、琵琶與揚琴的顆粒性音色、古箏的流動與泛音,以及大阮深沉而溫暖的低音,共同構成一幅具有空間感的聲音風景。七件樂器既各自保持鮮明個性,又在旋律、節奏與音色層次中形成緊密的對話,使作品呈現出室內樂般精緻而富有透明度的織體。 「望月」是觀看,也是凝望;「聽風」則是一種更內在的聆聽。作品因此不只描寫自然景色,更試圖捕捉人在月夜之中面對自然時的心理狀態。音樂時而寧靜、時而流動,時而由單一樂器的獨奏線條逐漸擴展成群體性的聲響,形成「由一而多、由靜而動」的音樂結構。 2005年的七重奏版本是《望月聽風》的原始形態,而到了2007年,作品進一步發展成大型國樂合奏版本,並由台北市立國樂團世界首演。從室內樂編制擴展至大型民族管弦樂團,不僅放大了作品原有的音色與空間感,也讓月光與風的意象獲得更宏觀的音樂尺度。 從最初為中秋戶外音樂會而生的民樂七重奏,到後來的大型國樂合奏,《望月聽風》呈現了作曲家對中國民族樂器、當代國樂創作、民族器樂室內樂與現代音色語言的持續探索。作品以傳統東方意境為出發點,卻不拘泥於傳統形式,在民族樂器之間建立現代的聲音關係,讓古老的「月」與「風」在當代中國音樂語境中重新被聆聽。